I gotta put it in the water!
Something I just noticed while rewatching the scene from Avengers for my essay was the fact that the second Coulson brings up the ice, Steve gets up and goes to the cockpit, to look out at the sea.
He’s standing at the cockpit, looking out over the water. In his mind, only 17 days ago, he was on the same mission: get the tesseract, save the world, stop a madman. Only 17 days ago, he was at those controls, tilting the nose of the plane down and heading into the water. Only 17 days ago, he thought he was succeeding.
Only two weeks ago, he woke up and found the world was saved. Only twenty-four hours ago, he found out that everything he did was for nothing: another madman, the same weapon, being called on to stop it.
“I hope I’m the man for the job,” he says, because he’s remembering the last time he went on the same mission, the last time he donned the uniform, the last time he sacrificed himself, seemingly for nothing.
He’s standing there, looking at the same view, as Phil squees on how awesome Captain America - not Steve Rogers - is. Coulson is basking in the hero. Steve, though, is standing there and remembering the moment he made the decision that cost him everything. And now, he has to do it all again.
I thought this was leading to something deep…I wasn’t disappointed.
Assassin’s Creed screams in the distance
someone write a youth fantasy novel about this damn thing
Life and death of Andraste
there should be an avengers tv show but it should be filmed and executed like parks and rec
6 WRITING TIPS FROM JOHN STEINBECK
- Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
- Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
- Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
- If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
- Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
- If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."
Pets and Tumblr photoset
There will never be a dawn that breaks the spell surrounding us.